COLLECTORS CATALOGUES
CREATE YOUR OWN MUSEUM

Guides › Materials

Spotting gilding and plating

A thin skin of gold or silver.

Fire (mercury) gilding leaves a soft, slightly rich, matte gold film that wears to show the base metal on high points; look there first. It was the standard method from antiquity until the nineteenth century.

Electroplating, from the 1840s, gives a very even, bright, thin coating — so an electroplated surface on a supposedly earlier object is a dating tell in itself. Worn edges revealing a different metal beneath are the clearest sign of any plating.

Silver-gilt (gold over silver) is common in fine metalwork and shows grey-black silver tarnish, not green, where the gold has thinned.

Traces of gilding in protected recesses, with wear on raised areas, is the natural pattern — the reverse suggests a modern applied finish. Record where the gold survives; that map is evidence.

From the guide library inside Collectors Catalogues, a free app for cataloguing antiques and finds with honest, museum-grade records.

More on materials

Copper alloy or bronze? — Why cataloguers say “copper alloy”.

Identifying copper alloy — Copper, bronze, and brass — telling them apart.

Identifying silver — Tarnish, hallmarks, and the ring test.

Identifying gold — Why gold looks untouched after centuries.

Identifying iron — Corrosion, lamination, and magnetism.

Identifying lead and pewter — Soft, heavy, and dull gray.

Home · Get the app · Guides · Museums · Privacy · Terms