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Identifying silver

Tarnish, hallmarks, and the ring test.

Silver tarnishes to a dark grey-black sulfide film rather than green. A genuinely old surface has soft, even tarnish sitting in the recesses; burial can also leave a purplish-grey chloride crust on ancient pieces.

Look for hallmarks — maker, standard, assay office, and date letter — usually on the edge or back. Their style and layout are themselves datable. Much ancient and medieval “silver” is debased (billon), so a coppery tint or greenish corrosion does not rule silver out.

Silver is denser and softer than most substitutes; it gives a clear, ringing tone when tapped. Plated pieces show a warmer metal where the silver has worn through — check high points and edges first.

Avoid acid testing on anything you value as an artifact: it scars the surface. Weigh the piece, note the tarnish pattern and any marks, and record “silver” with the confidence the evidence actually supports.

From the guide library inside Collectors Catalogues, a free app for cataloguing antiques and finds with honest, museum-grade records.

More on materials

Copper alloy or bronze? — Why cataloguers say “copper alloy”.

Identifying copper alloy — Copper, bronze, and brass — telling them apart.

Identifying gold — Why gold looks untouched after centuries.

Identifying iron — Corrosion, lamination, and magnetism.

Identifying lead and pewter — Soft, heavy, and dull gray.

Identifying bone, antler, and ivory — Organic materials and their grain.

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